Tag Archives: Theory

Wall on the Readymade, Azoulay on the Museum.

“The Readymade did not and was not able to address itself to depiction; its concern is with the object, and so if we were to classify it within the canonical forms it would be sculpture. But no-one who has thought… Continue reading

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Crow on Modernism & Mass Culture

“The sign of manufactured culture is empty diversity, an eclecticism resulting from market expediency, targeting consumers, and hedging bets. Modernist practice sustains its claim to autonomy by standing in implicit opposition to the diversity of material glut, the evident shape… Continue reading

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Galison on Modes of Scientific Seeing.

“In the eighteenth century, the most appropriate scientist to draw or depict the world was a kind of sage, or a genius, who could part the curtains of experience and draw the basic form of objects as they should be… Continue reading

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Foster on Pluralism and the ‘Return to History’

“Modern art engaged historical forms, often in order to deconstruct them. Our new art tends to assume historical forms — out of context and reified. Parodic or straight, these quotations plead for the importance, even the traditional status, of the new art. In certain… Continue reading

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Mitchell on The Image & Women.

“What is the moral for pictures? If one could interview all the pictures one encounters in a year, what answers would they give? Surely, many of the pictures would give Chaucer’s “wrong” answers: that is, pictures would want to be… Continue reading

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Chaban on the Documentary Image.

“The screen as a representational space offers a constant interplay between different modes of appearance which present themselves conventionally as ontological antinomies: reality and illusion, realism and fantasy, story and non- story, staged and unstaged, etc. It was probably inevitable… Continue reading

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Berlant on Normativity under Capitalism

“The desire for a less-bad bad life involves finding resting places; the reproduction of normativity occurs when rest is imagined nostalgically—that is, in the places where rest is supposed to have happened, a fantasy masquerading as screen memory or paramnesia.… Continue reading

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Berlant on the American Dream

“Yet, even as the image of the traumatised worker proliferates, even as evidence of exploitation is found under every rock or commodity, it competes with a normative/utopian image of the U.S. citizen who remains unmarked, framed, and protected by the… Continue reading

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Guggenheim panel on Portraiture and Affect

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Piper on Consumerism

“The culture of unrestrained free-market capitalism feeds on the shared and foundational experience of incompleteness, inferiority – of generalised insuffuciency, or want. The experience of generalised want is created by media fabulations of a fantasy world of perpetual happiness that… Continue reading

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