Tag Archives: Postmodernism

Campany on Photography as a Medium

“The definition of a medium, particularly photography, is not autonomous or self-governing, but heteronomous, dependent on other media. It derives less from what it is technologically than what it is culturally. Photography is what we do with it. And what… Continue reading

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Hughes on Television and Rauschenberg

“The Box has done more to alter the direct, discursive relationship of images to the real world, on which the art of painting used to depend, than any other invention in our century. This isn’t a matter of good or… Continue reading

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Bertens on Postmodernist Deconstruction and ‘Avant-Garde’ strategy

“The politics of this postmodern avant-garde, as theorized by Crimp, Owens, Foster, Abigail Solomon-Godeau, and others, are primarily aesthetic. Although the strategies involved, such as appropriation and hybridization, are supposed to open the eyes of the larger public to the… Continue reading

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Jameson on Haacke

“Haacke poses the political dilemma of a new cultural politics: how to struggle within the world of the simulacrum by using the arms and weapons specific to that world which are themselves precisely simulacra? This explicitly political work, which reaffirms… Continue reading

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Batchen on Daguerre’s “Still Life” (1837)

“Of the various daguerreotypes by Daguerre that do survive, one in particular is often reproduced in histories of photography as the earliest extant example, as Daguerre’s first photograph. Dated 1837, this full-plate daguerreotype is usually titled Still life or The artist’s studio… Continue reading

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Enwezor on Simpson, the American Sublime and the Racial Self

“There is in ‘the mythology of madness’ the oft repeated story of radical therapy effect by Phillipe Pinel when he released the madmen and madwomen from their chains in Bicêtre and Salpêtrière hospitals in Paris in 1794. Pinel’s freeing of… Continue reading

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Ricoeur on Plurality, Culture and The Other

“When we discover that there are several cultures instead of just one and consequently at the time when we acknowledge the end of a sort of cultural monopoly, be it illusory or real, we are threatened with the destruction of… Continue reading

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Wall on the Readymade, Azoulay on the Museum.

“The Readymade did not and was not able to address itself to depiction; its concern is with the object, and so if we were to classify it within the canonical forms it would be sculpture. But no-one who has thought… Continue reading

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Foster on Pluralism and the ‘Return to History’

“Modern art engaged historical forms, often in order to deconstruct them. Our new art tends to assume historical forms — out of context and reified. Parodic or straight, these quotations plead for the importance, even the traditional status, of the new art. In certain… Continue reading

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One off: Laurie Anderson, John Berger & Laura Mulvey.

“…men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is… Continue reading

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