Tag Archives: Photography

Wallis on Race and Typological Photography

“By supplying an overabundance of information, photography confuses and problematizes its message; it creates what author Roland Barthes calls a “reality effect,” a semblance of realism bound to detail. In nineteenth-century parlance, two technical words gained a certain currency to describe how “reality”was construed: the word daguerreotype was distinguished from the word stereotype. Stereotypes were originally molds for creating multiple copies of printing type; the word, therefore, came to connote generalized replication. The daguerreotype, on the… Continue reading

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Foster on the Primitive

“Historically, the primitive is articulated by the west in deprivative or supplemental terms: as a spectacle of savagery or as a state of grace, as a socius without writing or the Word, history or cultural complexity or as a site… Continue reading

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Enwezor on Africanism

“My curiosity about the origins and literary uses of this carefully observed, and carefully invented, Africanist presence has become an informal study of what I call American Africanism. It is an investigation into the ways in which non-white, African-like (or… Continue reading

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Enwezor on Simpson, the American Sublime and the Racial Self

“There is in ‘the mythology of madness’ the oft repeated story of radical therapy effect by Phillipe Pinel when he released the madmen and madwomen from their chains in Bicêtre and Salpêtrière hospitals in Paris in 1794. Pinel’s freeing of… Continue reading

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Rice on Secular (Consumerist) Culture

“Unlike Vodou worshippers in Haiti, we in contemporary America acknowledge no deities; we deny a pantheon of supernatural beings who determine our destinies, who have the power to “possess” our bodies or intervene in our lives. In our denial, we… Continue reading

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One off: Matteo Musci.

“Motel Kitchen” from Walking Solo by Matteo Musci.

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Solnit on the Desert

“The Holy Land belongs to the chosen people, but they have no talent for staying in it peacefully and are always shifting, struggling, splitting up, being cast out. For them the desert is an ambiguous zone: a place strangers, sinners,… Continue reading

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An Autobiography of Objects in the work of Mark Ruwedel

“The calamity of the rightless is not that they are deprived of life, liberty, and the pursuit of happiness, or of equality before the law and freedom of opinion — formulas which were designed to solve problems within given communities —… Continue reading

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Hambourg on Photographic modes of Visibility

“The process of becoming is so rarely evident in photography that it strikes us as exceptional. Cameras slice material out of the world with extraordinary precision, and the neat chemical steps that make their images visible are by and large… Continue reading

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James on the typological work of the Bechers

“The Bechers’ rejection of the ideological and their refusal to depict the subject can be understood as a strategic refusal to participate in the photographic reification and ruin of subjectivity. Their reluctance to exert their artistic subjectivity, or to portray… Continue reading

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