Tag Archives: Painting

Higgie on the Faceless Woman

“She turns her back on you; this, it would seem, is her appeal. She’s been painted like this for centuries, and, more recently, photographed. Often she is naked, in a bathroom or bedroom, solitary, sleeping or day-dreaming, or at a… Continue reading

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One off: Gunnel Wåhlstrand.

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Jacoby on Narcissism

“What lurks behind the critique of narcissism is the authority of the “classic” bourgeois family; this family and the authoritarian family diverge in their social composition. It does not seem fortuitous that Marx’s example is drawn from the “lower mercantile… Continue reading

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Enwezor on Africanism

“My curiosity about the origins and literary uses of this carefully observed, and carefully invented, Africanist presence has become an informal study of what I call American Africanism. It is an investigation into the ways in which non-white, African-like (or… Continue reading

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Steinberg against Formalism

“Given the complexity and infinite resonance of works of art, the stripping down of artistic value to the single determinant of formal organization was once—in the nineteenth century—a remarkable cultural achievement. The attempt was to discipline art criticism in the… Continue reading

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Crow on Modernism & Mass Culture

“The sign of manufactured culture is empty diversity, an eclecticism resulting from market expediency, targeting consumers, and hedging bets. Modernist practice sustains its claim to autonomy by standing in implicit opposition to the diversity of material glut, the evident shape… Continue reading

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On Jeff Wall.

An excerpt from the series Contacts 2: The Renewal of Contemporary Photography, dedicated to the work of Jeff Wall.

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The Uncertainty of the Poet, by Giorgio de Chirico.

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Foster on Pluralism and the ‘Return to History’

“Modern art engaged historical forms, often in order to deconstruct them. Our new art tends to assume historical forms — out of context and reified. Parodic or straight, these quotations plead for the importance, even the traditional status, of the new art. In certain… Continue reading

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Mitchell on The Image & Women.

“What is the moral for pictures? If one could interview all the pictures one encounters in a year, what answers would they give? Surely, many of the pictures would give Chaucer’s “wrong” answers: that is, pictures would want to be… Continue reading

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