Tag Archives: Art

Wall on the Readymade, Azoulay on the Museum.

“The Readymade did not and was not able to address itself to depiction; its concern is with the object, and so if we were to classify it within the canonical forms it would be sculpture. But no-one who has thought… Continue reading

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Steinberg against Formalism

“Given the complexity and infinite resonance of works of art, the stripping down of artistic value to the single determinant of formal organization was once—in the nineteenth century—a remarkable cultural achievement. The attempt was to discipline art criticism in the… Continue reading

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Crow on Modernism & Mass Culture

“The sign of manufactured culture is empty diversity, an eclecticism resulting from market expediency, targeting consumers, and hedging bets. Modernist practice sustains its claim to autonomy by standing in implicit opposition to the diversity of material glut, the evident shape… Continue reading

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On Jeff Wall.

An excerpt from the series Contacts 2: The Renewal of Contemporary Photography, dedicated to the work of Jeff Wall.

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Galison on Modes of Scientific Seeing.

“In the eighteenth century, the most appropriate scientist to draw or depict the world was a kind of sage, or a genius, who could part the curtains of experience and draw the basic form of objects as they should be… Continue reading

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The Uncertainty of the Poet, by Giorgio de Chirico.

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Stallabrass on the complicity of Art and the Market

“Art overruns the borders of local particularity, aiding the transformation and mixing of the world’s cultures and economies. The progressive and regressive aspects of this process are inextricably related. Local resistances are defeated and, in many places, conditions worsen as… Continue reading

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Die a Millionaire, by J.H. Prynne.

The first essential is to take knowledge back to the springs, because despite everything and especially the recent events carried under that flag, there is specific power in the idea of it that what is known can be used to… Continue reading

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Foster on Pluralism and the ‘Return to History’

“Modern art engaged historical forms, often in order to deconstruct them. Our new art tends to assume historical forms — out of context and reified. Parodic or straight, these quotations plead for the importance, even the traditional status, of the new art. In certain… Continue reading

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Mitchell on The Image & Women.

“What is the moral for pictures? If one could interview all the pictures one encounters in a year, what answers would they give? Surely, many of the pictures would give Chaucer’s “wrong” answers: that is, pictures would want to be… Continue reading

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