Category Archives: Art

Butler on Bodies and Power

“There appears to be a law of truth, part of the workings of the regime of knowledge, which imposes a truth upon a subject for whom there is no choice but to recognize this law of truth. But why is… Continue reading

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One off: Judith Joy Ross.

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“The Wreck” by Don Paterson

But what lovers we were, what lover,Even when it was all over -the deadweight bull-black wines we swungtowards each other rang and ranglike bells of blood, our own great hearts.We slung the drunk boat out of portand watched our unreal… Continue reading

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One off: Gunnel Wåhlstrand.

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Jacoby on Narcissism

“What lurks behind the critique of narcissism is the authority of the “classic” bourgeois family; this family and the authoritarian family diverge in their social composition. It does not seem fortuitous that Marx’s example is drawn from the “lower mercantile… Continue reading

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One off: Jeff Wall.

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One off: Alec Soth.

“NIAGARA is more a circular journey than a narrative with a beginning, middle, and end. Its voice is first person, present. Its story is told in the words of the photographer’s subjects. Its conclusion is like its start: a closed… Continue reading

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Stallabrass on Dijkstra

“This constitutes the terrible plausibility of these images, and part of the basis for their success: they do describe and also enact a world in which people are socially atomized, politically weak, and are governed by their place in the… Continue reading

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Wallis on Race and Typological Photography

“By supplying an overabundance of information, photography confuses and problematizes its message; it creates what author Roland Barthes calls a “reality effect,” a semblance of realism bound to detail. In nineteenth-century parlance, two technical words gained a certain currency to describe how “reality”was construed: the word daguerreotype was distinguished from the word stereotype. Stereotypes were originally molds for creating multiple copies of printing type; the word, therefore, came to connote generalized replication. The daguerreotype, on the… Continue reading

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Foster on the Primitive

“Historically, the primitive is articulated by the west in deprivative or supplemental terms: as a spectacle of savagery or as a state of grace, as a socius without writing or the Word, history or cultural complexity or as a site… Continue reading

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