Category Archives: Photography

Butler on Bodies and Power

“There appears to be a law of truth, part of the workings of the regime of knowledge, which imposes a truth upon a subject for whom there is no choice but to recognize this law of truth. But why is… Continue reading

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One off: Judith Joy Ross.

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One off: Gunnel Wåhlstrand.

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Jacoby on Narcissism

“What lurks behind the critique of narcissism is the authority of the “classic” bourgeois family; this family and the authoritarian family diverge in their social composition. It does not seem fortuitous that Marx’s example is drawn from the “lower mercantile… Continue reading

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One off: Jeff Wall.

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One off: Alec Soth.

“NIAGARA is more a circular journey than a narrative with a beginning, middle, and end. Its voice is first person, present. Its story is told in the words of the photographer’s subjects. Its conclusion is like its start: a closed… Continue reading

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Stallabrass on Dijkstra

“This constitutes the terrible plausibility of these images, and part of the basis for their success: they do describe and also enact a world in which people are socially atomized, politically weak, and are governed by their place in the… Continue reading

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Wallis on Race and Typological Photography

“By supplying an overabundance of information, photography confuses and problematizes its message; it creates what author Roland Barthes calls a “reality effect,” a semblance of realism bound to detail. In nineteenth-century parlance, two technical words gained a certain currency to describe how “reality”was construed: the word daguerreotype was distinguished from the word stereotype. Stereotypes were originally molds for creating multiple copies of printing type; the word, therefore, came to connote generalized replication. The daguerreotype, on the… Continue reading

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Foster on the Primitive

“Historically, the primitive is articulated by the west in deprivative or supplemental terms: as a spectacle of savagery or as a state of grace, as a socius without writing or the Word, history or cultural complexity or as a site… Continue reading

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Enwezor on Simpson, the American Sublime and the Racial Self

“There is in ‘the mythology of madness’ the oft repeated story of radical therapy effect by Phillipe Pinel when he released the madmen and madwomen from their chains in Bicêtre and Salpêtrière hospitals in Paris in 1794. Pinel’s freeing of… Continue reading

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